Selasa, 24 Juli 2012

[Q353.Ebook] PDF Download The Power Of Why, by Amanda Lang

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The Power Of Why, by Amanda Lang

Why are some people able to get so much more done in so much less time than others? Why do some companies flourish in tough times while others fail? Why are some countries more productive than others?

Through an entertaining mix of examples from the business world, insights from innovation gurus, little-known research, the experiences of business leaders and her own candid stories of life off-camera, Amanda Lang explains how asking the right questions has changed the world and how it can change you, too. From the invention of the curved shower curtain rod to the introduction of an elevator that creates electricity as it moves from floor to floor, The Power of Why persuasively spells out the connection between innovation and productivity that is so crucial in the knowledge economy.

Instead of obsessing over working “smarter,” we ought to focus on the instinctive urge to question that’s so natural for young children. As Lang shows, it’s possible to reignite that instinct at any age and to become more innovative and productive—as well as more fulfilled in our jobs and happier in our relationships. That’s the power of why.

  • Sales Rank: #1267238 in Books
  • Published on: 2012-10-09
  • Released on: 2012-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.63" l,
  • Binding: Hardcover
  • 288 pages

About the Author

Amanda Lang is a bestselling author and an award-winning business journalist who has been covering business in North America for twenty years. She is the producer and anchor of Bloomberg North on Bloomberg TV Canada, and for six years Lang was CBC’s senior business correspondent, reporting for its flagship nightly news program, The National, as well as the host of The Exchange with Amanda Lang, a daily business program airing on CBC News Network. A popular speaker on the topics of business and economic trends, she lives in Toronto. Follow her on Twitter @AmandaLang.

Most helpful customer reviews

3 of 4 people found the following review helpful.
In a field full of books on innovation, this one stands very tall.
By Reg Nordman
Being a TV personality does not do a person any favors as the medium lessens the impact of the real person. Witness this good book. It is thoughtful, surprisingly delightfully fresh and well written. Lang also does what Christensen does - she makes notes that are as useful as the text. This is a serious book that will change the way you think (as David Chilton said) .For me it was the comment about being a problem finder rather than a solver that opened my eyes. All Canadians can learn from this. I would advise every leader, educator and parent to buy this book and inculcate its ideas in everyone you come across. In a field full of books on innovation, this one stands very tall. Great for a flight from SF to New York.

2 of 3 people found the following review helpful.
Rather simplistic.
By Forbes George
A rather simplistic approach to getting on the success track . . . leans toward pop-psychology . . . some great anecdotes.

0 of 2 people found the following review helpful.
The Power Of Why
By Fred Rankine
Highlighted the many opportunities that enable people to achieve their dreams. "The Pwer Of Why" made one think of activities that they could do to improve their chances of success.

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Senin, 16 Juli 2012

[Q417.Ebook] Download Ebook Garner's Modern American Usage, by Bryan A. Garner

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Garner's Modern American Usage, by Bryan A. Garner

Since first appearing in 1998, Garner's Modern American Usage has established itself as the preeminent guide to the effective use of the English language. Brimming with witty, erudite essays on troublesome words and phrases, this book authoritatively shows how to avoid the countless pitfalls that await unwary writers and speakers whether the issues relate to grammar, punctuation, word choice, or pronunciation.

Now in the third edition, readers will find the "Garner's Language-Change Index," which registers where each disputed usage in modern English falls on a five-stage continuum from nonacceptability (to the language community as a whole) to acceptability, giving the book a consistent standard throughout. Garner's Modern American Usage, 3e is the first usage guide ever to incorporate such a language-change index, and the judgments are based both on Garner's own original research in linguistic corpora and on his analysis of hundreds of earlier studies. Another first in this edition is the panel of critical readers: 120-plus commentators who have helped Garner reassess and update the text, so that every page has been improved.

  • Sales Rank: #92204 in Books
  • Brand: Garner, Bryan A.
  • Published on: 2009-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.30" h x 2.00" w x 10.00" l, 4.16 pounds
  • Binding: Hardcover
  • 1008 pages

From School Library Journal
Grade 9 Up—Garner makes grammar fun, and readers will not only find elucidation but also moments of pure delight while browsing these pages. This edition includes more than 10,500 entries (an increase of approximately 1500 over the 2003 volume). There are preface statements from all three editions as well as new, worthwhile introductory essays: "Making Peace in the Language Wars" and "Ongoing Struggles of Garlic-Hangers" (a consideration of the descriptive vs. proscriptive debate). As always, the entries are not only filled with clear lessons about language usage, trends, and problems inherent in misuse, but they are also peppered with cleverly chosen examples of both usage and misusage. Entries run anywhere from a line or two about spelling ("espresso" not "expresso") to a full column (see "effete") or more (see "irregular verbs" and the table following). Added to this edition is a language-change index that rates where a disputed usage falls on a scale of 1-5 (with 1 being "widely rejected" and 5 being "universally accepted") so that readers can gauge the correctness of a phrase such as "Hopefully, it won't rain tomorrow." Garner isn't a snob, though. His book is the best of its kind in that it simply reports the facts in an engaging way; language evolves and usage changes. The book ends with a 46-page glossary of grammatical, rhetorical, and other language-related terms, and a 10-page time line of books on usage. An invaluable ready-reference tool.—Herman Sutter, Saint Agnes Academy, Houston, TX
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
*Starred Review* The “prescriptive/descriptive” debate in usage is alive and well with this newest edition of Garner’s readable work. Featuring more than 10,500 entries (up from 9,000), this edition features several enhancements. They include identifying poor usage with an asterisk before the terms and ranking certain entries with a “Language Change Index,” which measures “how widely accepted various linguistic innovations have become.” The scale is from 1 to 5, with 1 being rejected and 5 being fully accepted. For example, coupon being mispronounced “kyoo” instead of “koo” is given stage 4 (“the form is virtually universal but is opposed on cogent grounds by a few linguistic stalwarts”). More than 2,000 usages are ranked. Extras in the volume include a new essay from Garner (“The Ongoing Struggles of Garlic-Hangers”) as well as the essay that appeared in the previous edition (“Making Peace in the Language Wars,” in which Garner describes himself as being “a kind of descriptive prescriber”) and a concluding 47-page glossary of grammatical terms and a time line of books on usage. The main focus remains Garner’s entries and usage notes. They range from word entries that simply verify the spelling (mayonnaise), to those clarifying two terms (sight, site), to those where he offers his never dull opinions (such as holocaust, which he calls “one of our most hyperbolic words, beloved of jargonmongers and second-rate journalists”). But the longer essay entries on usage, ranging from the half-page Officialese to the 9-page Punctuation, are Garner’s bread and butter. One would be tempted to say that this is clearly one of the best works on the topic, but doing so would be using one of Garner’s weasel words (intensives such as clearly that “actually have the effect of weakening a statement”). Suffice it to say that it is highly recommended for most libraries. --Ken Black

Review
"Clearly one of the best works on the topic" --Booklist starred review"Whether taking those first steps on the road to good writing--namely, the avoidance of bad writing--or tending to further details of clarity, style, and organization, the writer-editor, like any artisan, needs guidance from a master. Such guidance is just what Garner's Modern American Usage provides, and lots of it." --Five Towns Jewish Times"Garner makes grammar fun, and readers will not only find elucidation but also moments of pure delight while browsing these pages. As always, the entries are not only filled with clear lessons about language usage, trends, and problems inherent in misuse, but they are also peppered with cleverly chosen examples of both usage and misusage. [Garner's] book is the best of its kind in that it simply reports the facts in an engaging way; language evolves and usage changes. An invaluable ready-reference tool." School Library Journal"Garner's book is by far the best on contemporary usage. For language lovers or for those attempting to find out how words are being used today, Garner's Modern American Usage is an indispensable tool." --Technical Communication

Most helpful customer reviews

229 of 237 people found the following review helpful.
Great book, crappy Kindle edition
By Kim Scarborough
I have no complaints with the content, but if they're going to charge nearly $25 for the Kindle edition, they could put a little more effort into it. The bulk of the book is all one "chapter", so if you want to look something up under "W", you have to hit "next page" for a half hour. They didn't bother to hyperlink the indexes, but rather just copied them literally from the print editions with the page numbers (which are useless on a Kindle). OUP ought to be ashamed of themselves.

63 of 65 people found the following review helpful.
Useful, Authoritative, and Entertaining
By JD
The first part of this review discusses this book in general, and the second part discusses certain changes in the 3rd Edition. So feel free to skip to the second section if you're familiar with prior editions.

Garner has done it again with this revised edition of Garner's Modern American Usage. I've used this book for several years and it has been an invaluable resource for me in my writing-intensive occupation. In fact, I doubt seriously that I've written anything substantial in the past several years without turning to this book at least once. Often, I'm pretty confident about proper usage, but turn to this book anyway for entertainment (it rarely disappoints). I usually find myself enthusiastically agreeing with Mr. Garner, and rejoicing that this source is available to settle usage disputes. For those new to this book, most of the entries address proper usage of specific words or short phrases. There are also essay entries that address grammar, style, and other issues. The essays cover a broad range of topics. For example, there is an entry on "punctuation" and another on "jargon." And any usage guide with an essay called "Airlinese" (discussing gems such as "deplane") gets my vote.

I only recall disagreeing with Garner on minor points, such as whether to avoid the word "hopefully" altogether. I think it is a useful word and, hopefully, any stigma attached will dissipate with use (see what I did there?).

I would simply not do without this book, a style manual (such as the Chicago Manual), and a good dictionary.

ON THIS EDITION:
There are five changes I'll note for this edition: (1) ranking of word usage/acceptance (1-5); (2) asterisks next to poor words; (3) new binding; (4) more entries; (5) revisions to prior entries.

The most interesting addition is the 1-5 scale for the acceptance of words in usage. Controversial or problematic words are ranked from 1 (unacceptable) to 5 (proper), interestingly combining prescriptive and descriptive concepts. All told, so far I find it an interesting tool, but probably not world-changing. The entries, as they have in the past, describe appropriate usage in a way that is more detailed and nuanced than a scale could hope to be. In some circumstances, I see how this might clarify some issues.

The next change that I noticed was the use of a "*" preceding words that shouldn't be used (or non-words). For example, a passage might read "although *irregardless has been used for decades, it should be shunned." (irregardless would also be in italics, like all terms under a given entry heading). I understand the reason for this, but I find it far more annoying than useful. I suppose I'll get used to it eventually, but my eye is trained to associate a footnote with an asterisk (even if I'm not used to seeing it before a word). This isn't a deal-breaker, of course; I just find it distracting. Others may like it.

The other notable changes are pretty self-explanatory. Of course the new edition contains more entries (substantially more, in fact), and other entries are revised. I happen to like the new binding and layout. The paper seems a bit thinner, the text smaller, and the book a little taller, which results in a thinner book with more content than the previous edition.

In sum, I recommend this book to anyone who writes, copy-edits, or who is passionate about the English language.

122 of 139 people found the following review helpful.
Third Edition Approaches Perfection
By Edwin F. Stevens
I am now a three-edition aficionado of Bryan A. Garner's Modern American Usage (MAU).

I purchased the first edition at the South Tower of the World
Trade Center in 1998.

Then, under more sober circumstances, I purchased the second edition in 2003.

Finally, last week, I became the happy owner of the new Modern American
Usage, Third Edition (MAU 3, for short).

The pleasures from MAU 3 are substantial, with only a few minor
reservations.

First, the major pleasures:

* As with the first two editions, almost every page of MAU 3 brings me
a new wealth of useful reminders and eye-opening information. For
example, readers cannot imagine how pleased I was to learn in MAU 3 about
"Contronyms" (e.g., the two opposed meanings of "scan"), which must
take their place alongside my discovery of "Mondegreens" in MAU 2. One
of my favorite mondegreens, encountered firsthand, is "I led the
pigeons to the flag," an odd mishearing of "I pledge allegiance to the
flag." (I politely told the young "pigeons" reciter about his error,
but he said he liked his version better than the traditional one. It is
certainly funnier.)

* By making MAU 3 taller and wider in format than MAUs 1 and 2, the author
has been able to retain the previous prefaces and essay ("Making Peace
in the Language Wars") while adding a new preface and an essay (funkily
titled "The Ongoing Struggles of Garlic-Hangers," inspired for once by
the otherwise annoying linguist John McWhorter). More important, this
expansive format has allowed Mr. Garner to pack addditional nuggets of
information into his reference book, especially the section called
"Glossary of Grammatical, Rhetorical, and Other Language-Related
Terms." This section, in slightly smaller type, is a miracle of
informative compression, whether focusing on the "schwa" or the "ergative
verb" or "auxesis" or "multiple sentence forms" or "polysyndeton" or almost
anything else. It is a treasure trove of the mainstream and the
esoteric.

* The innovative, five-stage Language-Change Index in MAU 3, far from
being a gimmick, gives readers a true sense of where certain
controversial usages rank along a continuum. With this ranking, readers
gain a perspective on verbal change, from the highly rejectable status
at Stage 1 (e.g., the double negative "unrelentlessly") to the grudging
acceptance at Stage 5 (e.g., "finalize," a jargonic favorite of former
President Eisenhower). Among other things, this Index at Stage 5 is
Mr. Garner's stouthearted attempt to end dead-horse beating. (By the way, his
"Key to the Language-Change Index" is certain to induce the smiles and
laughs of approval in other readers that it did for me. Who says a
language authority's continuum has to be dull?)

* The engaging new essay in MAU 3, "The Ongoing Struggles of
Garlic-Hangers," recognizes that defeatist teachers and hypocritical
linguists are dragging English usage faster than ever into confusion
and decay. No wonder the conciliatory tone that suffused Mr. Garner's essay in
MAU 2, "Making Peace in the Language Wars," has disappeared. After all,
only one descriptive linguist (Peter Tiersma) "conditionally" accepted
the author's strategy for a truce. So Mr. Garner obviously decided a more
confrontational approach was necesssary. Much to his credit, though,
his essay still maintains a characteristic clarity and civility. Above
all, he doesn't flinch from taking on and politely vanquishing linguist John
McWhorter, the quintessential representative of the anything-goes
crowd. Mr. Garner's new aggressive attitude feels right, yet I still worry.
For, at the end of the essay, even as he says he is not "melancholy"
over this declining state of affairs, he seems more embattled than he was in 2003.

More than ever, we must remember, as Wilson Follett's Modern American Usage urges us,
"to maintain the continuity of speech that makes the thought of our
ancestors easily understood, to conquer Babel every day against the
illiterate and the heedless, and to resist the pernicious and lulling
dogma that in language -- contrary to what obtains in all other human
affairs -- whatever is is right and doing nothing is for the best."

In short, Mr. Garner's fine book is more than a usage guide, it is the standard
bearer of a knightly quest. I guess that might make me one of his
Sancho Panzas.

That's what he gets for carrying on the Fowler, Bernstein, and Follett
tradition.

Now for the minor reservations:

* Let's begin with MAU 3's dust cover. There on the left flap, in the
first paragraph, the second sentence begins, "Brimming with brief,
erudite, and even witty entries on troublesome words and phases ...." I
saw the "phases" for "phrases," and my heart fell. Because I know MAU 3
itself is fastidiously edited and proofread, but first-time browsers
would not. Again one finds that a book shouldn't be judged by its dust
cover. Also, remembering Mr. Garner's excellent entry on Sesquipedality, I
question whether the use of "corpora" (see left flap, third paragraph,
line 10) is a bit highfalutin for the fairly simple-and-direct book
description.

* Moving inside MAU 3, I find that the author carefully and correctly gives the
figurative meaning of "delineate" as "to represent in words; to
describe." Then he faults those who wrongly believe that "delineate" also
means "differentiate," placing such a misuse at Stage 1 on his
Language Change Index and consigning it for the time being to
rejection and outer darkness. So far, I agree. But later, in his
estimable entry on Standard English, he writes "the delineation between
Standard English and dialect has to do with grammar, vocabulary,
spelling, and punctuation ...." By using "delineation between" instead
of "differentiation between," Mr. Garner has fallen into a dreaded slipshod
extension and entered Stage 1's Rejection Land.

* Disappointment also reigned when I noticed, in MAU 3, there are not many
illustrative quotations dated after 2003 (the year MAU 2 was
published). To me, MAU 3 was an ideal opportunity to present a
substantial number of new, post-2003 quotes to complement or replace
earlier ones.

* In Mr. Garner's Timeline of Books on Usage, I was surprised to see that Mark
Halpern's Language and Human Nature, though quoted in the MAU 3 essay, "The
Ongoing Struggles of Garlic-Hangers," was not entered in the Timeline
under 2009, the year given for its publication. I assume that
threatening deadlines resulted in that omission. I would also like to
suggest for inclusion Jenny McMorris's biography of Henry Watson
Fowler, The Warden of English, published by Oxford University Press in
2001. It's the only full-length biography on Fowler that I know of (not
"of which I know"). Among other delightful little details in this book,
one reads that "The Times, heading its obituary [of Fowler] 'A
Lexicographical Genius,' declared that Henry 'had a crispness, a
facility, and unexpectedness which have not been equalled.' "

* And, from my "Not Really Garner's Fault Department," I present one last
cavil: the taller and wider MAU 3 does not fit into my (formerly)
handy-dandy, zippered, green book carrier.

Modern American Usage, in its third edition, is now approaching perfection. And though it may never get there, authorial attention to such trifling reservations as mine may help move its fourth edition a bit closer. After all, a noble and daring quest such as Mr. Garner's -- to promote ideal clarity, elegance, and effectiveness in communication -- deserves to reach this loftiest of goals.

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Minggu, 15 Juli 2012

[S125.Ebook] PDF Ebook Computer Modelling of Electrical Power Systems, by N.R. Watson J. Arrillaga

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Computer Modelling of Electrical Power Systems, by N.R. Watson J. Arrillaga

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  • Sales Rank: #2833034 in Books
  • Published on: 2009-12-23
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, .82 pounds
  • Binding: Paperback

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Selasa, 10 Juli 2012

[T600.Ebook] Ebook Free Yeats, The Man And The Masks, by Richard Ellmann

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Yeats, The Man And The Masks, by Richard Ellmann

Yeats, The Man And The Masks, by Richard Ellmann



Yeats, The Man And The Masks, by Richard Ellmann

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Yeats, The Man And The Masks, by Richard Ellmann

“The book helps fill in the picture of a complex and fascinating man…indispensable for the serious study of the subject.”—Edmund Wilson, The New Yorker

The most influential poet of his age, Yeats eluded the grasp of many who sought to explain him. In this classic critical examination of the poet, Richard Ellmann strips away the masks of his subject: occultist, senator of the Irish Free State, libidinous old man, and Nobel Prize winner.

  • Sales Rank: #269673 in eBooks
  • Published on: 2016-01-27
  • Released on: 2016-01-27
  • Format: Kindle eBook

From the Back Cover
Yeat's life was one of the most complex of all the poets' in its outer and inner events. Mystical concerns - involvement with spiritualism, construction of a transcendental world system in A Vision - fitted among and around an unusually active involvement in public affairs, as a founder of the Abbey Theatre and as a senator of the new Irish Free State.

About the Author
Richard Ellmann was Goldsmiths Professor at Oxford University and Woodruff Professor at Emory University. He achieved world fame for his biography of Joyce and wrote many scholarly and critical works, including two on Yeats.

William Butler Yeats is generally considered to be Ireland s greatest poet, living or dead, and one of the most important literary figures of the twentieth century. He was awarded the Nobel Prize in Literature in 1923.

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63 of 63 people found the following review helpful.
Casting a Cold Eye
By A. R. Paterson
THE definitive, open, and engaging study of the man T.S.Eliot declared the greatest poet of his age. Richard Ellman is no longer with us, but this is a monument of Yeats biography and criticism, the book which all subsequent biographers try to rewrite. The text itself, written as it was amidst a flurry of uncollected papers in the forties and with the co-operation of W.B.'s widow George, is understandably reticent about some elements of the poet's private life, notably his early lovers and extra-marital affairs; but the introduction printed with this new edition fills in many of the blanks, and gives the reasoning for Ellman's assertion that Yeats's affair with Maud Gonne was indeed finally consummated, confirming a suspicion hitherto based only on ambiguous references in letters and the poem 'A Man Young and Old'. Most of all, however, it is Ellman's sensitive and insightful treatment of Yeats's at once shy and self-possessed nature that impresses; the writer will never have a more accurate critic, and the man never a more sincere and biting appraisal of his contradictions. This is the place to start if you are interested in Yeats: you may not find the book or the man that you were expecting, an easy dreamy life of lost women and lake isles, but the portrait is truer, and the artistic genius more clearly delineated than in any other book on the subject, and there have been many. Ellman went on to write the definitive lives of James Joyce and Oscar Wilde; that his first essay in literary biography stands comparison with these is its own testament.

42 of 42 people found the following review helpful.
Biograph Master
By Arch Llewellyn
Ellmann was only 30 when he published this in 1948, less than 10 years after Yeats's death; he was the first biographer to see Yeats's papers in their chaotic entirety. What an astounding job! You'd think this would read like a warm-up for his later magisterial biographies of Joyce and Wilde, but "The Man and the Masks" holds its own against those works, giving a sensitive, economical portrait of an unusually fractured poet.
Ellmann stresses Yeats's life-long effort to forge his thoughts into a unified system in the teeth of inbred skepticism, shyness and vacillation. He draws a discreet curtain over the sexual parts of Yeats's life but compensates with a keen understanding of the courage it took for this diffident, ill-read & dreamy man to make himself by fits and starts into a modern poet. My favorite parts of the book were the sections where Ellmann compares earlier drafts of the poems to the printed versions, showing just how hard-won Yeats's genius was. He tempers a critical eye towards Yeats's excesses--the wild mysticism, the Fascist sympathies, the arrogant public demeanor--with an understanding of Yeats's deep need for masks. According to Ellmann, Yeats's theories and systems weren't dogmas so much as postures he assumed to fulfill his own desire for a certainty of belief he never quite attained. Ellmann shows how that drive shaped the poems and ultimately rescued them from the deadness certitude would have brought. A classic study and an excellent starting-point for further reading on Yeats's life and work.

14 of 16 people found the following review helpful.
Yeats - Magic, Masks, and Muses
By Stephen Hammack
"Yeats: The Man and The Masks" (1979, W.W. Norton & Co., New York) by Richard Ellman is a landmark study of the greatest poet of the twentieth century. As a literary biography, it does far more to explain how Yeats continually recreated himself as a poet than would a mere historical biography only full of facts. First published in 1948, this book is based on the unlimited access Yeats' widow gave Ellman to literally thousands of unpublished papers in the decade after the poet's death, and is full of keen philosophical insight into the poet's life and writings.

Yeats' life and poetry were most influenced by two people - firstly by his father, who consciously sought to educate and shape him into a poet, and secondly by the woman who became the great love of his life. John Butler Yeats was a minor artist of the Victorian period who, although he could never quite achieve the visions he set for himself as a painter, was a great lover of the arts, and imparted his creative gifts to all his children. His was a very strong personality, and it dominated the family like an iron glove. Although they did not get along well in his formative years, Yeats acknowledged his father's very positive impact on his life and ideas in later years. Maud Gonne, on the other hand, was Yeats' partner in many of his early plans and schemes to resurrect Irish nationalism, theatre, and literature. He fell desperately in love with this tall, wild woman, but she never requited that love and broke his heart repeatedly. He pursued her for over a decade, and when she married another it looked at first as if he would never recover. But Yeats did survive, and his poetry was much richer for the experience of loving, and eventually outgrowing the self-absorbed Maud Gonne.

Some poets prefer simplicity and are not overly complicated, being fond of wine, woman, and song. But Yeats (who definitely loved the first two, but had no ear at all for music) was a complex man of immense yearnings and dreams, and involved himself in numerous movements and causes throughout his life. He was, first and foremost, one of the driving forces behind the Irish literary renaissance. He was also the co-founder of Dublin's Abbey Theatre, which had an immense impact on drama by providing a place for Irish playwrights "to bring upon the stage the deeper emotions of Ireland." He was an Irish Nationalist who dreamed of an Ireland independent of Britain, but who thought that violence was not the solution. He later came to see the that the "terrible beauty" of the Irish Easter Rebellion of 1916 was, in fact, a bloody means to a greater end. Yeats was also a magician and mystic who enthusiastically joined Madame Blavatsky's Theosophical Society, and later was an early member of the Order of the Golden Dawn - a Rosicrucian/Masonic-style occult society devoted to raising its members' consciousness to higher levels.

The Golden Dawn drew upon the Western kabbalistic and esoteric traditions, and his involvement had a great influence on both Yeats the Man and Yeats the Poet. For instance, he experimented with séances and automatic writing as a means of contacting the spirits he believed helped him unlock his latent powers as a poet and a magician. But his great breakthrough came after he married the patient and witty Georgie Hyde-Lees (whom he called George) as he neared his fiftieth year. It was Mrs. Yeats' great gift for automatic writing, and well as Yeats' dogged persistence, that allowed him to develop his system of symbols, and to become a far deeper poet than the simple lyricist he had been in his youth. Yeats' poetic vision of masks, his gyres (pronounced with a hard "g") - whirling spirals shaped like two intersecting triangles, his belief in his daimones (spirit guides or perhaps even muses), and his phases of the moon corresponding to levels of human awareness all sound very odd indeed and make one wonder if he was not mad. These ideas combined, however, to take his poetry to levels he had never before attained. Even more than these, the most important aspect of his poetic maturation was that he achieved what he called Unity of Being, and what others might call the Completeness of Character or Personality, by slowly combining the many and various sides of his psyche into a complete whole. Yeats thus forged himself into the great poet he had always longed to be, and achieved a much greater power with his written words than any other writer of his day and age.

As he grew into old age, Yeats became a revered figure and received many awards and prizes, but he was profoundly troubled by what he felt to be a lessening of his poetic powers. For someone who saw all art as "an expression of desire," these powers were inextricably interlinked with his libido, and so in 1934 at the age of 68, he underwent a new surgical operation called the Steinach operation. This procedure was evidently a variation on a vasectomy, and promised renewed vigour and strength to those who underwent the knife. Whether it was real or all in his mind, amazingly Yeats poetic ability rose phoenix-like and sustained him during the last five years of his life, years during which his wife George sustained, nursed, and humored him for the sake of his work and their love.

This early biography of Yeats strips away some of the intricate masks he created for himself - masks that he removed only for his closest family and friends. It is a vital literary biography for anyone seeking to understand how a minor Irish poet with some rather fantastic notions about magic and symbolism remade himself into the one of the greatest poets of all time. I recommend it primarily to those who enjoy literary biography, and who want to read in great detail how the life, loves, and poetry of W. B. Yeats were intricately and symbolically, intertwined.

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