Sabtu, 31 Agustus 2013

[Y311.Ebook] Ebook Figure It Out! The Beginner's Guide to Drawing People, by Christopher Hart

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Figure It Out! The Beginner's Guide to Drawing People, by Christopher Hart

Chris Hart has a head for figures — human figures, that is. Not only does he draw them with incredible style and flair, he also has a friendly, accessible teaching style that makes his how-to books super-sellers. In this unique figure-drawing course, Chris avoids the usual anatomy lessons that intimidate aspiring artists and gets right down to the basics young illustrators need to get started. Starting with heads and facial expressions, he moves on to full figures, male and female, ideal and average, some in fashion poses and others in dynamic action. On every page, his practical advice and clear examples will help readers achieve terrific results — and have fun every step of the way.

 

 

  • Sales Rank: #12515 in Books
  • Brand: Brand: Chris Hart Books
  • Published on: 2009-08-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .50" l, 1.18 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review

"This entertaining book is aimed at the amateur who simply wants to sketch people. Authored by one of the most prolific and successful cartoon artists, it eschews the bones-and-muscles approach. This should prove popular with the general public." —Library Journal 

About the Author
Christopher Hart is an award-winning and best-selling author whose books have set the standard for art instruction, both nationally and internationally.

Most helpful customer reviews

167 of 172 people found the following review helpful.
From a teacher's perspective...
By Shannon L. Lippy
After reading the reviews for this book, I felt that I had to add my own opinion to balance out what other people have said. My first thought is that people need to read the title; Figure It Out!: A Beginner's Guide to Drawing People. This is exactly what this book is, a beginner's book. While it does expect you to have some basic level of drawing skill, most of the drawings build the body from basic geometric shapes. This is the starting block for how most good beginner art books teach you to learn to draw anything. So it does pass that basic qualification. Next up and possibly what I like most about this book, is that it shows you shapes, and basic line forms that make up the parts of the body. I know growing up and going through my art classes, the one thing I struggled with was when the teacher said to "look". The problem with that approach is that until you know what you're looking for, you're a little in the dark. That is where this book excels. It gives you the basics of the human body construction and the contour lines that generally tend to be used to achieve those results.

However, this is also where I get a little frustrated with some of the other reviews. All bodies are put together the same. However, there are quite a large variety of variations that happen with size, gender, race, muscle/fat ratios and cultural norms for how the human body is precisely put together for each of those things. Reviewers who are upset with this book for not having people of color, cultures or other ethnic races need to understand that those are all people who can be drawn with this book, but you will need to start with the information the writer gives you and then adapt it to fit each unique person. The author could easily write a whole book that would be titled, Figure It Out!: An Advanced Guide to Drawing People, which would cover a ton of differences that occur within all races, cultures, etc. However, those things would weigh down this book with too many choices and confuse the beginner.

I'm sure you might wonder why I said this was a teacher's review. I'm an art teacher in an inner city school district where the kids can be easily frustrated at new things that they feel they have to do perfectly first time out. My students can't quite grasp the differences between professional, student learner and just plain quitting before you even begin. However, I've shown them multiple examples from this book concerning eyes, having them compare their own eyes to the generalized types, and they seemed to grasp the differences better. When they did attempt to draw their own eyes, they seemed to be a bit more confident in their attempts and didn't complain that they didn't know what they were doing. In short, they had a better grasp of what their lines should look like (differences included) because they knew to compare and contrast the line examples with the lines of their own eyes.

So, should you buy this book? If you are a beginner or a more experienced person who would like to find some tips and tricks to draw bodies better or faster, yes. If you are a greatly experienced person with the human body, I'd say no. There are better, more in depth books out there, but then that's what you would be looking for anyway, not a beginner book. So I say this book for value and price is worth is and advertised and titled correctly.

I hope this helps you with your body drawing book buying!

46 of 50 people found the following review helpful.
A Decent Beginner's Guide - And a Good Refresher for the Experienced
By CB
Christopher Hart has built himself a veritable empire of how to draw books in a great many genres, and I own quite a few of them. In Figure It Out, Hart has tackled the difficult business of teaching a simplified method of how to draw the human figure - not the comic book hero or the cartoon character, but the human figure, period. As a result, the book is a great guide for the absolute beginner, and also for experienced artists who may need a refresher course.

The book begins with the construction, features and angles of the human face and head, and moves on to the basics of the human body's posture and construction. Where the book really takes off is Chapter 4: Body Dynamics. Here, Hart discusses how the body's posture is affected by carrying weights, how the body bends and tilts, various postures and the use of body language, etc. The final two chapters discuss the mechanics of poses for men and women, respectively.

The Good: I was pleased with this book as a whole, especially with Chapter 4 - the nuance of posture and position of the figure is a tough topic and difficult even if you've been drawing for years, and it's great to see so much space devoted to such a complex topic. It is also very nicely printed, on good, glossy paper, and Hart's directions are very clear.

The Bad: Certainly it's a beginner's book, but unfortunately, Hart doesn't offer what one might term a very dynamic formula for drawing people; his constructions can be fairly stiff at times. However, that aside, for those who wish to gain a greater grasp on how to draw the figure, this book is highly recommended.

0 of 1 people found the following review helpful.
Four Stars
By Amazon Customer
very good service and the book is what it was expected to be

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Minggu, 25 Agustus 2013

[B451.Ebook] Ebook Download Activity Workbook to accompany Side , by Side, Book 1, by Steven J. Molinsky, Bill Bliss

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The Side by Side Activity Workbooks offer a variety of exercises for reinforcement, fully coordinated with the student texts. A special feature of the Activity Workbooks is the inclusion of GrammarRaps for practice with rhythm, stress, and intonation and GrammarSongs from the Side by Side TV videos. Periodic check-up tests are also included in the workbooks. Side by Side Plus is a standards-based and grammar-based English language program for adult and young-adult learners, The program builds students’ general language proficiency and prepares them for their life-skill roles in the community, family, school, and at work.

  • Sales Rank: #34103 in Books
  • Brand: Molinsky, Steven J./ Bliss, Bill
  • Published on: 2000-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.60" h x .50" w x 8.10" l, .65 pounds
  • Binding: Paperback
  • 142 pages

From the Back Cover
The Side by Side Activity Workbooks offer a variety of exercises for reinforcement, fully coordinated with the student texts. A special feature of the Activity Workbooks is the inclusion of GrammarRaps for practice with rhythm, stress, and intonation and GrammarSongs from the Side by Side TV videos. Periodic check-up tests are also included in the workbooks. Side by Side Plus is a standards-based and grammar-based English language program for adult and young-adult learners, The program builds students’ general language proficiency and prepares them for their life-skill roles in the community, family, school, and at work.

About the Author
Carolyn Graham has updated the Costa Rica and Belize guides and lives in Los Angeles.

Most helpful customer reviews

17 of 17 people found the following review helpful.
A Conversational Supplement
By I. C. Rogers
This is an amazing series of books for any age beginners of Oral English as a Second Language (American English). I taught this series in China for 3 years, and am currently an M.Ed student. This series not only allows an inexperienced teacher to be able to jump into any class and feel confident teaching, but offers a strong order to the subject matter that is taught. The vocabulary and grammatical forms that are introduced are very useful in daily life.

If I were to offer criticism about this series is that these books are very sterile. Without supplemental activities, students will find the repetitive 'conversations' quite droll. Secondly, although it can be used at all ages, it's better to be used as a young adult/elementary book to be used as a SUPPLEMENT to other regular English classes. Without further instruction, many students feel that the material progresses much too rapidly. For example, Lesson 1 teaches the Alphabet and "What's your name?" while Lesson 3 is teaching Present Continuous Tense.

10 of 11 people found the following review helpful.
Do YOU know you needed a CD?
By Lisa Marie Rein
I have to say..I just started using this series and thus far, the written portion is great! But how could I have known it required a very expensive CD? I sure wish that part had been stated before I ordered this series.

5 of 5 people found the following review helpful.
CAUTION, order the Activity and Test Prep Workbook
By Carolyn
I had used level three and was quite impressed, so I ordered level one for a class I'll be teaching in a few weeks. However, I didn't realize that there are two types of workbooks and this one does NOT have the CDs. I specifically wanted access to the grammar raps, so now I've ordered the workbook again, only this time the Activity and Test Prep Workbook. It only costs a few dollars more and has CD are included. The write-up should warn you about that! No CDs!

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Sabtu, 24 Agustus 2013

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  • Published on: 2011
  • Binding: Paperback

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Today, DIY -- do-it-yourself -- describes more than self-taught carpentry. Social media enables DIY citizens to organize and protest in new ways (as in Egypt's "Twitter revolution" of 2011) and to repurpose corporate content (or create new user-generated content) in order to offer political counternarratives. This book examines the usefulness and limits of DIY citizenship, exploring the diverse forms of political participation and "critical making" that have emerged in recent years. The authors and artists in this collection describe DIY citizens whose activities range from activist fan blogging and video production to knitting and the creation of community gardens. Contributors examine DIY activism, describing new modes of civic engagement that include Harry Potter fan activism and the activities of the Yes Men. They consider DIY making in learning, culture, hacking, and the arts, including do-it-yourself media production and collaborative documentary making. They discuss DIY and design and how citizens can unlock the black box of technological infrastructures to engage and innovate open and participatory critical making. And they explore DIY and media, describing activists' efforts to remake and reimagine media and the public sphere. As these chapters make clear, DIY is characterized by its emphasis on "doing" and making rather than passive consumption. DIY citizens assume active roles as interventionists, makers, hackers, modders, and tinkerers, in pursuit of new forms of engaged and participatory democracy.

ContributorsMike Ananny, Chris Atton, Alexandra Bal, Megan Boler, Catherine Burwell, Red Chidgey, Andrew Clement, Negin Dahya, Suzanne de Castell, Carl DiSalvo, Kevin Driscoll, Christina Dunbar-Hester, Joseph Ferenbok, Stephanie Fisher, Miki Foster, Stephen Gilbert, Henry Jenkins, Jennifer Jenson, Yasmin B. Kafai, Ann Light, Steve Mann, Joel McKim, Brenda McPhail, Owen McSwiney, Joshua McVeigh-Schultz, Graham Meikle, Emily Rose Michaud, Kate Milberry, Michael Murphy, Jason Nolan, Kate Orton-Johnson, Kylie A. Peppler, David J. Phillips, Karen Pollock, Matt Ratto, Ian Reilly, Rosa Reitsamer, Mandy Rose, Daniela K. Rosner, Yukari Seko, Karen Louise Smith, Lana Swartz, Alex Tichine, Jennette Weber, Elke Zobl

  • Sales Rank: #1263250 in Books
  • Brand: Ratto, Matt (EDT)/ Boler, Megan (EDT)
  • Published on: 2014-02-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 6.00" l, 1.35 pounds
  • Binding: Paperback
  • 464 pages

About the Author

Matt Ratto is Assistant Professor and Director of the Semaphore Research Cluster and the Critical Making Lab in the Faculty of Information at the University of Toronto.



Megan Boler is Professor in the Ontario Institute for Studies in Education at the University of Toronto and editor of Digital Media and Democracy: Tactics in Hard Times (MIT Press).

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Jumat, 23 Agustus 2013

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

  • Sales Rank: #2948518 in eBooks
  • Published on: 2010-12-25
  • Released on: 2010-12-25
  • Format: Kindle eBook

About the Author
N/A

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0 of 0 people found the following review helpful.
Rat de bibliotheque
By Charles Voisot
Un classique, fait partie du patrimoine
Je pense que 10 mots seraient suffisant
I think 10 words should be enough

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Selasa, 20 Agustus 2013

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"This book is very different from any medical textbook you've ever read… its greatest merit is to have single-handedly transformed the perception of psychiatry from that of Cinderella speciality to that of hottest speciality on offer."

Following in the footsteps of the groundbreaking first edition, this second edition of Psychiatry is a comprehensive textbook of mental health that brings its subject alive with numerous case studies, images and photographs, and short references from the arts, history, and philosophy. These not only facilitate learning and memorisation, but also highlight the subjective experience of mental illness, and stimulate thought into the nature of the human experience.

Based on extensive feedback from students and lecturers, this second edition places greater emphasis on psychological treatments, clinical skills, and exam success, and integrates more than 350 self-assessment questions.

Other important features include:

  • A clear and attractive layout with colour coding and colour images and photographs
  • Learning objectives, boxed summaries, and self-assessment questions in every chapter
  • Step-by-step coverage of the psychiatric history, mental state examination, and formulation, with an integrated account of the signs and symptoms of mental disorders and a model case history
  • Clinical skills/OSCE boxes on competencies such as enquiring about delusions and hallucinations, assessing suicidal risk, and assessing capacity
  • Greater coverage of psychiatric subspecialties
  • An expanded chapter on the history of psychiatry with introductions to Freud and Jung

Psychiatry is the perfect textbook for medical students, junior doctors, GPs, and all healthcare professionals needing a thorough account of mental disorders.

  • Sales Rank: #3170445 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2010-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x .50" w x 7.50" l, 1.25 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Review
"This is a textbook for undergraduates and an excellent one at that." Oxford Journals, June 2010

"The publication of Neel Burton's excellent 2nd edition of Psychiatry is particularly opportune, coming as it does during what some have described as the specialty’s ‘recruitment crisis’. This undergraduate textbook is colourful, concise and engaging, the ideal primer to pique a student’s interest in mental health studies.

By turns intellectually challenging and entertaining (its first two quotations come from Nietzsche and Alice in Wonderland) the text is easily picked up and dipped into at random or studied more earnestly, chapter-by-chapter. Each section is introduced with a list of learning objectives and concluded with a summary of key facts. Its salient points are delivered alongside informative, appropriately selected case studies and consolidated with 12 pages of self-assessment of the widely used ‘Extended Matching’ (EMQ) variety." International Journal of Culture and Mental Health

From the Back Cover
This exciting new textbook aims to bring the subject of psychiatry alive. Refereshing and inspirational, Psychiatry uses numerous excerpts and images from the worlds of art, film and literature to illustrate the core psychiatric content needed by medical students and junior doctors.


Psychiatry is placed in an historical context and the complex ethical and philosophical issues that are inherent to the practice of psychiatry are highlighted. The book challenges the reader to think about these issues and to appreciate that psychiatry is about more than just treating mental illness.


This informative and engaging new psychiatry text uses a range of pedagogical features throughout the full colour text, and includes case studies and self assessment material.

About the Author
Dr Neel Burton is based at Green Templeton College, University of Oxford, where he regularly teaches medical students. He is author of Living with Schizophrenia (with Dr Phil Davison, Sheldon Press, 2007) and has won a number of teaching awards.

Most helpful customer reviews

5 of 7 people found the following review helpful.
PSYCHIATRY by Neel L Burton
By Remi Guillochon
You can use this book for a bit of everything: as a core text, on a clinical rotation and as a revision text.

Three major strengths of this book:

1. Organisation: very easy to find your way around and subsequently follow the development of ideas. Spot-on explanations of key concepts, which are concise without being too brief.

2. Presentation: colour-coding, tables, chapter indentation and succinct diagrams. The whole kaboodle makes it pretty much a joy to read, no joking.

3. Case studies: reinforces information you have just read. You appreciate what you've been taking in and what you haven't.

Overall description:

Author clearly sets out objectives in introduction and sticks to them. He spices up the book making the subject even more striking and memorable, while keeping it within context. Doesn't feel like you're reading a typical medical textbook, as it's so lively and imaginative. A heady mixture of different approaches to the subject including history, art and philosophy give it a broad sweep. Make it all very life-like and not too bookish.

The clear chapter divisions encourages you to compartmentalise the material as you go along. There is no risk of being overwhelmed by facts and data. True/false questions capping each chapter see to this. You keep track of your progress. These questions also double as a summary, saving you time if you are skim-reading and looking for specific points.

You learn a lot on diagnosis thanks to clear definitions of different symptoms. Felt a lot less confused about various pathologies. Authoritative reminders of subject guidelines makes you feel good about yourself as you know you're covering what you need to.

Summary points manage to bring together loose strands of thought and keeps structure nicely coherent. Tables and flow charts can be read without accompanying text if you're in a rush.

An excellent all-round book.

3 of 4 people found the following review helpful.
Remarkably comprehensive and practical
By Aaron
The parts of this text I've read were remarkably comprehensive and practical. I took a lot of notes and look forward to looking up more topics in the text! Will refer residents to several tables with rich descriptions of terms used in describing psychiatric findings.

2 of 5 people found the following review helpful.
Inaccurate and out of date
By Justin Reilly, JD
Inaccurate and hopelessly out of date regarding ME/CFIDS. ME is a common and extremely disabling neuroendocrine immune disease associated with two retroviruses and rare lymphomas. Classifies ME under 'neurasthenia' which in turn is classified under "neurotic (anxiety) disorders." This is akin to having an entry on MS calling it 'hysterical paralysis' under "neurotic (anxiety) disorders". 'Hysterical paralysis' is the old name for MS when it was considered psychogenic.

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Kamis, 01 Agustus 2013

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Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander

Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander



Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander

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Powerful Writing Strategies for All Students, by Karen Harris Ed.D., Steve Graham Ed.D., Linda Mason Ph.D., Barbara Friedlander

Finally—highly effective, field-tested lesson plans for the students in every elementary and middle school classroom who struggle with writing. The practical how-to follow-up to Graham and Harris's popular Writing Better, this book is just what K–8 educators need to advance all students' writing skills, whether they have learning disabilities or just need extra help.

Teachers will get concise lesson plans they can use to easily supplement their existing writing curriculum. From 20 to 50 minutes each, the lessons

  • address types of writing that are key to academic success, such as writing reports and constructing essays for standardized tests
  • help with every phase of the writing process, from planning to revising
  • reinforce new skills through group and individual practice
  • ensure that improvements are sustained by teaching students critical self-regulation skills they can use independently
  • support effective instruction with step-by-step guidelines and optional scripts for teachers
  • engage students with mnemonic devices they'll immediately grasp and remember
  • include fun photocopiable support materials, such as cue cards, picture prompts, sheets for graphing story parts, and charts for brainstorming and setting goals

Firmly grounded in the authors' Self-Regulated Strategy Development approach, which has been proven effective by 2 decades of research, these brief, powerful lessons will help transform struggling students into confident, skilled, and motivated writers.

  • Sales Rank: #104107 in Books
  • Brand: Harris, Karen R./ Graham, Steve/ Mason, Linda H./ Friedlander, Barbara/ Reid, Robert (FRW)
  • Published on: 2007-11-28
  • Released on: 2007-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.94" h x .89" w x 8.48" l, 2.32 pounds
  • Binding: Paperback
  • 444 pages

Review
A powerful, evidence; based approach to instruction . . . The clear and complete lessons plans included in this volume will help teachers enhance their ability to provide effective instruction to students at all levels. --Joanna Williams, Ph.D., Professor of Psychology and Education, Teachers College, Columbia University

Harris and Graham are models for contemporary intervention researchers with their balanced foci on impeccable research and assiduous attention to translating research into practice. --Bernice Wong, Professor Emerita, Simon Fraser University, British Columbia, Canada

Splendid, accessible compendium of a body of respected scholarly work now packaged for all teachers. A wonderful gift to the field! --Nickola Nelson, Ph.D., Charles Van Riper Professor, Western Michigan University

Harris and Graham are models for contemporary intervention researchers with their balanced foci on impeccable research and assiduous attention to translating research into practice. --Bernice Wong, Professor Emerita, Simon Fraser University, British Columbia, Canada

A powerful, evidence; based approach to instruction . . . The clear and complete lessons plans included in this volume will help teachers enhance their ability to provide effective instruction to students at all levels. --Joanna Williams, Ph.D., Professor of Psychology and Education, Teachers College, Columbia University

Harris and Graham are models for contemporary intervention researchers with their balanced foci on impeccable research and assiduous attention to translating research into practice. --Bernice Wong, Professor Emerita, Simon Fraser University, British Columbia, Canada

A powerful, evidence; based approach to instruction . . . The clear and complete lessons plans included in this volume will help teachers enhance their ability to provide effective instruction to students at all levels. --Joanna Williams, Ph.D., Professor of Psychology and Education, Teachers College, Columbia University

About the Author

Karen Harris, Ed.D., is Professor and the Currey-Ingram Chair in Special Education at Vanderbilt University, Nashville, Tennessee. She has taught kindergarten and fourth-grade students, as well as elementary and secondary students with disabilities. She is co-author, with Steve Graham, of the books Making the Writing Process Work: Strategies for Composition and Self-Regulation; Teaching Every Child Every Day: Learning in Diverse Schools and Classrooms; Handbook of Learning Disabilities; and the curriculum Spell It-Write. Dr. Harris is the editor of the Journal of Educational Psychology. Her research is focused on theoretical and intervention issues in the development of academic and self-regulation strategies among students with attention-deficit/hyperactivity disorder, learning disabilities, and other challenges.

Steve Graham, Ph.D., is Professor and the Currey-Ingram Chair in Special Education at Vanderbilt University, Nashville, Tennessee. He is the current editor of Exceptional Children and the past editor of Contemporary Educational Psychology. He is the co-author of the Handbook of Learning Disabilities; Making the Writing Process Work: Strategies for Composition and Self-Regulation; Teaching Every Child Every Day: Learning in Diverse Schools and Classrooms; Teaching Every Adolescent Every Day; Spell It-Write (a spelling program for children in grades K through 9); and the upcoming Handbook of Writing Research. Dr. Graham's research has focused mainly on identifying the factors that contribute to the development of writing difficulties; the development and validation of effective procedures for teaching planning, revising, and the mechanics of writings to struggling writers; and the use of technology to enhance writing performance and development.

Dr. Linda H. Mason has a joint appointment in the Department of Educational Psychology, Counseling, and Special Education and the Children, Youth, and Families Consortium at The Pennsylvania State University. Prior to completing her Ph.D., Dr. Mason taught special education in an inclusive public elementary school for six years. She has been awarded two U.S. Department of Education grants focusing on reading comprehension and writing intervention for low-achieving students. Dr. Mason serves on six editorial boards, including journals focused on research-topractice. At Penn State, she teaches courses in literacy for students with special needs, curriculum development, reading and writing methods, assessment, and effective instruction. Dr. Mason was awarded the Council for Exceptional Children, Division of Research Distinguished Early Career Award in 2011 and a Fulbright Scholarship to teach in Hungary in fall 2011.

Excerpt. © Reprinted by permission. All rights reserved.

Excerpted from Chapter 2 of Powerful Writing Strategies for All Students, by Karen R. Harris, Ed.D., Steve Graham, Ed.D.,Linda H. Mason, Ph.D., & Barbara Friedlander, M.A.

Copyright © 2008 by Paul H. Brookes Publishing Co. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

"Okay, students, begin writing." The students look at their clean, white, lined paper, pick up their newly sharpened pencils, and begin to think. Some students start writing, while others continue to sit still, look around the room, and, after a few minutes, raise their hands. "What should I write about?" "How do I get started?" "I'm just no good at writing." With that informal assessment, the teacher decides on an approach that will provide the students with the keys to unlocking the strategies and skills that good writers use. The teacher is confident that these students can learn to use the same powerful writing and self–regulation strategies that good writers use. In this chapter, the instructional model for teaching composing and self–regulation strategies, Self–Regulated Strategy Development (SRSD), is presented. The major goals of SRSD are threefold:

  • To assist students in mastering the higher–level cognitive processes involved in the planning, production, revising, and editing of written language

  • To help students further develop the ability to monitor and manage their own writing

  • To aid students in the development of positive attitudes and beliefs about writing and about themselves as writers

    Many students have experienced a great deal of frustration, failure, or anxiety when faced with writing assignments. For these students, the development of positive attitudes and beliefs is essential. These attitudes and beliefs develop as the students learn powerful strategies that improve their writing. There is a great deal of truth in the old adage, "Nothing succeeds like success." To help students master writing strategies and use them effectively, the SRSD approach includes the development of skillful use of effective writing strategies, self–regulation of the writing process, and knowledge of one's own cognitive processes and other learning characteristics and an understanding of the potential and limitations of the strategies they learn.

    Self–regulation of strategic performance and knowledge about the strategies are important in helping students

    • Understand how and when to apply a strategy

    • Independently produce, evaluate, and modify a strategy in an effective manner

    • Recognize meaningful improvement in skills, processes, and products

    • Gain new insights regarding strategies and their own strategic performance
    • Improve their expectations of and attitudes regarding themselves as writers

    • Maintain and generalize strategic performance

    STAGES OF INSTRUCTION

    In the SRSD approach, six basic stages of instruction are used to develop and integrate use of the strategy and self–regulation components. SRSD has been successfully used with entire classes, small groups, individual students, and in tutoring settings. Throughout these stages, teachers and students collaborate on the acquisition, implementation, evaluation, and modification of strategies. These stages are not meant to be followed in a "cookbook" fashion. Instead, they provide a general format and guidelines. The instructional stages are meant to be recursive, teachers may return to any stage at any time. The stages may be reordered, combined, or modified as needed to meet student and teacher needs. In fact, as will be seen in the lesson plans in this book, the first two stages (Develop Background Knowledge and Discuss It) are typically combined in the first lessons. Some stages may not be needed by all students. Some students may already have the background knowledge needed to use the writing strategy and self–regulation processes and may therefore skip this stage or act as a resource for other students who need this stage. Finally, lessons have typically run anywhere from 20 to 60 minutes (depending on grade level and class schedules) at least three times a week. Typically, in the elementary grades, 8 to 12 lessons running 30 to 40 minutes each have proven sufficient to allow students to complete the stages. More complex strategies may take longer in middle or high school.

    Generalization and Maintenance

    Procedures for promoting maintenance and generalization are integrated throughout the stages of instruction in the SRSD model. These include

    • Identifying opportunities to use the writing and/or self–regulation strategies in other classes or settings

    • Discussing attempts to use the strategies at other times

    • Reminding students to use the strategies at appropriate times

    • Analyzing how these processes may be modified with other tasks and in new settings

    • Evaluating the success of these processes during and after instruction It is helpful to involve others (e.g., other teachers, parents) as they can prompt the use of the strategies at appropriate times in other settings. Booster sessions in which the strategies are reviewed, discussed, and supported are very important for most students in terms of maintaining the strategies.

    Self–Efficacy

    Students who have experienced significant learning problems frequently develop negative beliefs and expectations that result in low motivation, attitudinal problems, and lessened effort. Repeated failure can result in feelings of helplessness. These students believe that further effort will have little effect, even when the task is doable. Self–efficacy is believed to have a strong influence on performance as it affects a person's choice of activities, the amount of effort expended, and the degree of persistence one demonstrates in the face of difficulty. Students who believe they are capable of successful performance are likely to choose challenging activities, work hard, and persist when difficulties are encountered. Throughout SRSD, self–efficacy is supported and developed.

    A brief overview of the six stages of instruction in SRSD is presented in Table 2.1.

    Each stage is discussed in detail and then followed by an example of SRSD in the classroom. The stages of instruction, however, represent merely the framework of instruction. Thus, this description is followed by a discussion of critical characteristics of SRSD instruction and guidelines for evaluation of this process.

    STAGE 1: DEVELOP BACKGROUND KNOWLEDGE

    During this stage, background knowledge and any preskills (e.g., vocabulary, concepts) students need for learning and using the writing or self–regulation strategies are developed. For example, if students are going to learn a story–writing strategy (e.g., the Who, When, and Where [WWW] strategy for story writing included in this book), they must understand the vocabulary related to story parts, including who, when, and where, or for older students, setting and characters. Preskills and background knowledge should be developed far enough to allow students to move into the next stages. Their development can continue into Stages 2 (Discuss It) and 3 (Model It); however, it is usually best if preskills are mastered by Stage 4 (Memorize It). Background knowledge and preskill development activities depend on the learner and the knowledge and skills that must be developed. These skills can be developed in regard to both the composition and self–regulation strategies that are to be mastered.

    The concept and use of self–instructions are often introduced in Stage 1. The teacher and students might collaboratively create self–instructions relevant to composition. For example, a student who tends to act impulsively might say to himself, "Remember, I need to take my time and go slow." A student with a low tolerance for frustration might say, "I'm not going to get mad. Getting mad makes me do bad." Students can practice using such self–instructions in a variety of situations as a part of preskill development; these self–instructions can then be incorporated into the later stages of strategies instruction. This may be particularly helpful for students who have not previously learned to use self–instructions.

    In addition, the teacher can discuss with students how the things they say to themselves can either help or hurt them. Students might discuss the self–speech they currently use when asked to write and whether it helps them or needs to be changed. Negative or ineffective self–statements such as "I'm no good at this" or "I hate writing" can be identified, and the ways these statements interfere with performance can be discussed.

    STAGE 2: DISCUSS IT

    During this stage, the teacher and students discuss the significance and benefits of the writing and self–regulation strategies to be learned. Each step in the writing strategy is discussed, as are any mnemonics to be used. The importance of student effort in strategy mastery is also emphasized. Throughout instruction, it is essential that students recognize and discuss the role of effort in learning and using strategies, and that they see their efforts paying off in better writing. This emphasis on knowing more about the strategy and how it works, along with student effort, helps set the stage for the development of positive attitudes about writing. The goals of strategies instruction are discussed and determined. This stage enables students to make a commitment to strategy mastery and participation as a partner/collaborator while helping to establish motivation.

    Along with their teacher, students may also examine their current performance on the targeted composing skill. Compositions from students' portfolios or those written before strategies instruction began can be read and analyzed. For example, if the story grammar strategy has been discussed, students' selected stories can be analyzed to see how many common story elements are included. In addition, students may graph the number of elements present in their stories. Graphing of current performance can help set the stage for both goal setting and self–monitoring. If current performance is examined to help set the stage for strategies instruction, it should be done in a positive, collaborative manner with the teacher stressing that students were not expected to have all the common story parts when these stories were written because they hadn't yet learned the strategy.

    The teacher and students also discuss how and when to use the strategy. This discussion should not be limited to the writing task at hand. At this time, students can begin to identify opportunities to use the strategy in new situations or for other appropriate tasks (e.g., the story grammar strategy might be useful in writing a book report). However, the teacher should be sure that the proposed benefits of the strategy are expressed reasonably so that students do not develop unreasonable expectations. In addition, the teacher and students should discuss writing tasks in which this strategy would not be useful (e.g., the story–writing strategy would not be useful for writing a science report).

    STAGE 3: MODEL IT

    During this stage, the teacher or a peer models the composing strategy and selected types of self–instructions, thinking aloud while writing an actual composition. Types of self–instructions that can be introduced include problem definition (What is it? What do I have to do here?), focusing attention and planning (I need to concentrate. First I need to . . . then . . .), strategy step statements (I need to write down my strategy reminder), self–evaluation and error correcting (Have I used all of my parts? Oops! I missed one. I'd better add it), coping and self–control (I can handle this. I need to go slow and take my time), and self–reinforcement (I like this ending!). All of these forms should not be introduced at once. Instead, teachers should select types of statements and model statements specific to the needs and characteristics of their students. It is also important that the model demonstrate coping with difficulty, such as having trouble thinking what to do next or forgetting a strategy step, and then model how one successfully deals with a particular difficulty. Students can help the teacher when difficulties are encountered.

    If students initially use prompts (they are typically used, as will be seen in the lesson plans), such as a graphic or chart listing the strategy steps or detailing a mnemonic and a graphic organizer for writing, the model should use them as well. The teacher can also set a goal for her or his composition, such as including all seven story parts, and evaluate the composition to see if that goal was met. Students can also be involved in the writing process by helping the teacher or peer model during planning and writing.

    After self–regulation of the writing strategy has been modeled, the teacher and students should discuss the importance of the self–statements used during modeling as well as the goal setting and self–assessment. At this point, students typically begin developing their preferred self–instructions, recording them on paper or on bulletin boards. These self–instructions will be used in later stages; modeling, reexplanation, and further development of self–instructions can occur in later stages as needed. Teachers and students can discuss the strategy steps and instructional components and then collaboratively decide if any changes are needed to make the strategy more effective and efficient. This can be discussed again in later stages. Generalization of the strategy to other tasks and settings can also be discussed further.

    Teachers who have used SRSD have either creatively augmented live modeling or come up with alternatives. One teacher who was uncomfortable with modeling from memory or from notes when he first began strategy instruction came up with an innovative approach that worked well for him and his students. He worked out his modeling script, making sure he had all of the components, steps, and self–instructions he wished to model. He then put his self–talk on audiotape, reading from the script but speaking naturally and appropriately. He played this tape with his writing group, using the overhead projector to simultaneously plan for a composition. When modeling planning using the strategy prompt and graphic organizer was completed, the teacher and his students collaboratively wrote the actual composition, using the notes generated while modeling. In addition, teachers have successfully incorporated videotapes of peers who have already learned the strategies modeling their use of the writing and selfregulation strategies.

    One of the aspects of modeling that makes it such a powerful procedure is the extent to which the model's performance can be individualized to meet the needs of a particular student or group of students. When teachers first prepare to model for their students, they often find it helpful to brainstorm together. As teachers become more practiced and adept at modeling, they find the preparation for this stage much easier. Modeling scripts developed by three groups of teachers during a workshop are presented in Table 2.2. Each group identified and discussed a particular student or group of students for whom the modeling was intended and then identified particular needs or goals relevant to this student or group. The same picture was used by each group as a story prompt to facilitate comparing and contrasting the different scripts. Each group then developed a script for modeling the story–writing strategy. As you will see, the scripts differ in ways that make them responsive to the needs of the target students, yet each script is based on the same strategy.

    STAGE 4: MEMORIZE IT

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